Attention and intention

The slow art of photography

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I take photos, lots of them, these days, who doesn’t?

I download them at the end of every month, back them up and at the end of a year make a photobook of the best ones.  I love being able to share and post photos and to be able to take ridiculous moments as they occur without worrying about how the photo will come out.

But I also remember the days of taking a few films on holiday and knowing that they had to last and that every photo taken meant another one not taken.  When I went travelling around India and Africa in my twenties, there were so many things to snap, but only so much film with which to capture the moments.  I had to make choices which I don’t have to make digitally today.

However, as well as the limitations of having just 24 or 36 exposures on a film, there was also the excitement of having the films developed and waiting to collect those holiday memories weeks or days after returning to normality.  It was so exciting opening the blue envelope, being careful not to let the string of negatives drop out, to hold the shiney images in my hands, to pass them to friends, to later affix them into albums which still line my walls.  There was a visceral quality to the process which just isn’t there until we hold our annual photo-book these days.

There is something about being selective and having to wait for the photos that changed the experience of image capture.  It isn’t that one way is better than the other, it is just that the experience of creating images digitially and using film is different in process and product.

Julian Stokes takes photography deeper again.  Working with his father’s old camera, he takes and develops his own analogue images.  Every step requires precise attention and intention.  As I listened to him on the podcast I understood more about the creative choices which are taken at every stage from thought to image.

I had never understood before how photographs taken in this way, capture the light and shade which was present in that moment and that the object which eventually emerges from the process has been in contact with that moment.  So when you  hold an old analogue image, that your grandparents might have taken, you are holding something which not only was touched by them, but which physically engaged in the light and shade of the image you are holding.

That blows my mind!

The images that Julian (like those above) takes with his camera are so much more physical and creative than my digital ones.  The thought he has to put into every step of the process means he is minutely aware as he co-creates with what is, to what he sees,l to what, at some stage, he can hold.

He says it in the podcast so much better than I am saying it here so do listen; for me it was another call to be present in the moment so much more.

To work with me get in touch through my site.  I have also produced lots of online materials (some of which are free) to suppport you.

Get in touch to have a conversation.

Look here to see my full CV

Access free resources on my site

Or buy my books.

Join me in conversation with Julian Stokes as he describes the visceral experience of analogue (old fashioned, with film and shutters) photography.  In it we explore just exactly what it is the photograph captures and the role of intention in creation.

Julian has designed my website for over 10 years now and I can recommend him, his work site is:

Julie Leoni

Regenerative living coach, author, podcaster, facilitator, educator, Dr

Business as usual is no longer possible.  We need to dramatically shift how we think and live in order that the planet and all those people we share it with as well as our children's children, flourish.  This is the time of the Great Turning (Joanna Macy) and each of us can play our part in tipping life towards health and well-being for all.

Finding your thing or things can be the most radical thing you can do for your own well-being and for the well-being of the planet.

Work with me to create a life where your energy, health, social connection and emotional and social well-being are not just sustained, but improve, regeneratively. 

I am an author, educator and researcher who coaches individuals and organisations to find more regenerative ways of living and working in order to support the health of all peoples, the more than human world and future generations.

My work is based on wisdom from indigenous people, science, and my own direct relationship with people and the more than human world which have taught me about the interconnectedness of all things, and our dependency on each other for well-being.

There are more things to measure than income and status so let's start creating the world we want our grandchildren to live in.  It starts here and it starts now with each of us, daily.  

Get in touch to have a conversation.

Look here to see my full CV

Access free resources on my site

Or buy my books.